A Token of Devotion

Standardized Devotional Units
Southern Europe, 20th–21st Century

These devotional images are not critiqued or treated as sacred objects, but observed simply as artifacts of an exhausted practice. Adopting the perspective of a hypothetical future archive, this series organizes the specimens into rigorous plates. Viewed from this distance, the holy cards lose their original spiritual function and become inactive objects.

The work investigates a clear contradiction: the promise of a unique spiritual experience contrasted with the reality of mass industrial production. Within a strict grid structure, the differences between the various images dissolve, transforming into a repetitive sequence and a cold visual inventory.

The project functions as a catalog of obsolete items. The devotional cards cease to act as windows to the divine, revealing themselves simply for what they are: mass-produced paper artifacts.