• Standardized Devotional Units Southern Europe, 20th–21st Century

    This project organizes a collection of mass-produced religious holy cards into a rigid grid system, treating them neither as sacred items nor objects of critique. Instead, it acts like a cold archive, stripping away their spiritual intent to examine them purely as dead paper artifacts.

    Within this strict layout, individual icons and illustrations are forced into a repetitive, standardized sequence. The work exposes a mechanical contradiction: while each card promises a unique, intimate spiritual connection, they are actually stamped out by the thousands through mass industrial printing. Placed side-by-side, the religious distinctions between the saints dissolve into a flat visual inventory.

    The project functions as a warehouse catalog of obsolete items. The devotional cards stop working as windows to the divine and reveal their true physical nature: nothing more than mass-produced paper scraps left behind by a fading practice.